Can any chord be converted to its roman numeral equivalent? Announcing the arrival of Valued Associate #679: Cesar Manara Planned maintenance scheduled April 17/18, 2019 at 00:00UTC (8:00pm US/Eastern)Using standard Roman numeral analysis how should 7th and 9th qualities be determined?Roman numeral notation for a suspended chord?In any major key, what Roman Numerals indicate the major, minor, and diminished chords?What roman numeral should be used to identify a note that is not in key?Roman numeral chord notation in minor scale?Roman Numeral AnalysisAnalyzing an unfamiliar Roman numeral analysis?Eight numerals vs. twelve half-stepsUsing Roman Numeral Notation with Notes in the Bass (not figured bass)Are all modes relative to Ionian (major) in Roman numeral analysis?Roman Numeral Treatment of Suspensions
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Can any chord be converted to its roman numeral equivalent?
Announcing the arrival of Valued Associate #679: Cesar Manara
Planned maintenance scheduled April 17/18, 2019 at 00:00UTC (8:00pm US/Eastern)Using standard Roman numeral analysis how should 7th and 9th qualities be determined?Roman numeral notation for a suspended chord?In any major key, what Roman Numerals indicate the major, minor, and diminished chords?What roman numeral should be used to identify a note that is not in key?Roman numeral chord notation in minor scale?Roman Numeral AnalysisAnalyzing an unfamiliar Roman numeral analysis?Eight numerals vs. twelve half-stepsUsing Roman Numeral Notation with Notes in the Bass (not figured bass)Are all modes relative to Ionian (major) in Roman numeral analysis?Roman Numeral Treatment of Suspensions
Just a quick question, but I'm wondering if any type of chord even something complicated Gbmaj13#5/F can be converted to roman numerals? Assuming the key is given.
chords roman-numerals
add a comment |
Just a quick question, but I'm wondering if any type of chord even something complicated Gbmaj13#5/F can be converted to roman numerals? Assuming the key is given.
chords roman-numerals
1
I think this question - while not a dup - overlaps with mine music.stackexchange.com/questions/82074 which hasn't been satisfactorily answered.
– Michael Curtis
5 hours ago
add a comment |
Just a quick question, but I'm wondering if any type of chord even something complicated Gbmaj13#5/F can be converted to roman numerals? Assuming the key is given.
chords roman-numerals
Just a quick question, but I'm wondering if any type of chord even something complicated Gbmaj13#5/F can be converted to roman numerals? Assuming the key is given.
chords roman-numerals
chords roman-numerals
asked 5 hours ago
foreyezforeyez
5,67442689
5,67442689
1
I think this question - while not a dup - overlaps with mine music.stackexchange.com/questions/82074 which hasn't been satisfactorily answered.
– Michael Curtis
5 hours ago
add a comment |
1
I think this question - while not a dup - overlaps with mine music.stackexchange.com/questions/82074 which hasn't been satisfactorily answered.
– Michael Curtis
5 hours ago
1
1
I think this question - while not a dup - overlaps with mine music.stackexchange.com/questions/82074 which hasn't been satisfactorily answered.
– Michael Curtis
5 hours ago
I think this question - while not a dup - overlaps with mine music.stackexchange.com/questions/82074 which hasn't been satisfactorily answered.
– Michael Curtis
5 hours ago
add a comment |
1 Answer
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Of course! Since the Roman-numeral system really only tells you the root—some systems don't even clarify quality of the chord—you simply give the Roman numeral of the root and show the extensions with the figured bass right next to it.
In D♭ major, your G♭maj13♯5/F would just be IVmaj13♯5 in first inversion.
Note that I say "in first inversion" here; the figured bass for extended tertians (chords larger than 7ths) gets pretty ugly. It's best to just say "in first inversion" or add "/F" instead of trying to use the figured bass for these chords.
Now, with all that said, Roman-numeral notation isn't typically used in styles where chords like this exist. If your music uses a lot of chords like this, we'd tend to just label it G♭maj13♯5/F. (At least, I would.)
add a comment |
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Of course! Since the Roman-numeral system really only tells you the root—some systems don't even clarify quality of the chord—you simply give the Roman numeral of the root and show the extensions with the figured bass right next to it.
In D♭ major, your G♭maj13♯5/F would just be IVmaj13♯5 in first inversion.
Note that I say "in first inversion" here; the figured bass for extended tertians (chords larger than 7ths) gets pretty ugly. It's best to just say "in first inversion" or add "/F" instead of trying to use the figured bass for these chords.
Now, with all that said, Roman-numeral notation isn't typically used in styles where chords like this exist. If your music uses a lot of chords like this, we'd tend to just label it G♭maj13♯5/F. (At least, I would.)
add a comment |
Of course! Since the Roman-numeral system really only tells you the root—some systems don't even clarify quality of the chord—you simply give the Roman numeral of the root and show the extensions with the figured bass right next to it.
In D♭ major, your G♭maj13♯5/F would just be IVmaj13♯5 in first inversion.
Note that I say "in first inversion" here; the figured bass for extended tertians (chords larger than 7ths) gets pretty ugly. It's best to just say "in first inversion" or add "/F" instead of trying to use the figured bass for these chords.
Now, with all that said, Roman-numeral notation isn't typically used in styles where chords like this exist. If your music uses a lot of chords like this, we'd tend to just label it G♭maj13♯5/F. (At least, I would.)
add a comment |
Of course! Since the Roman-numeral system really only tells you the root—some systems don't even clarify quality of the chord—you simply give the Roman numeral of the root and show the extensions with the figured bass right next to it.
In D♭ major, your G♭maj13♯5/F would just be IVmaj13♯5 in first inversion.
Note that I say "in first inversion" here; the figured bass for extended tertians (chords larger than 7ths) gets pretty ugly. It's best to just say "in first inversion" or add "/F" instead of trying to use the figured bass for these chords.
Now, with all that said, Roman-numeral notation isn't typically used in styles where chords like this exist. If your music uses a lot of chords like this, we'd tend to just label it G♭maj13♯5/F. (At least, I would.)
Of course! Since the Roman-numeral system really only tells you the root—some systems don't even clarify quality of the chord—you simply give the Roman numeral of the root and show the extensions with the figured bass right next to it.
In D♭ major, your G♭maj13♯5/F would just be IVmaj13♯5 in first inversion.
Note that I say "in first inversion" here; the figured bass for extended tertians (chords larger than 7ths) gets pretty ugly. It's best to just say "in first inversion" or add "/F" instead of trying to use the figured bass for these chords.
Now, with all that said, Roman-numeral notation isn't typically used in styles where chords like this exist. If your music uses a lot of chords like this, we'd tend to just label it G♭maj13♯5/F. (At least, I would.)
answered 5 hours ago
RichardRichard
46.1k7112198
46.1k7112198
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I think this question - while not a dup - overlaps with mine music.stackexchange.com/questions/82074 which hasn't been satisfactorily answered.
– Michael Curtis
5 hours ago