三突出 参考文献 参见 导航菜单学习"三突出"创作原则 不断提高创作质量存檔

三突出高大全样板戏毛泽东思想文艺宣传队东方红大海航行靠舵手我爱北京天安门毛泽东逝世太阳最红,毛主席最亲无产阶级文化大革命就是好毛泽东诗词歌曲全世界人民一定胜利毛主席像章毛主席塑像一幅保险带艳阳天海霞创业决裂芒果之歌青松岭春苗紅雨战洪图锁龙湖青春似火反击雁鸣湖畔金光大道难忘的战斗沙漠的春天欢腾的小凉河译制片《卖花姑娘》大一片红、小一片红大蓝天全面胜利黑题词


文革名词


中国文革于会泳文匯報江青




三突出是中国文革期间的文艺指导理论之一。最早由于会泳在1968年5月23日在《文匯報》撰文《让文艺界永远成为宣传毛泽东思想的阵地》一文中提出,受到江青等人的赞同和推广[1],被称为“文艺创作塑造无产阶级英雄人物必须遵循的一条原则”[2]


三突出指[3]


  1. 在所有人物中突出正面人物;

  2. 在正面人物中突出英雄人物;

  3. 在英雄人物中突出主要英雄人物

其具体实践是在文艺创作中把正面人物放在画面或舞台的中央,打正光,而反面人物要在角落打底光或背光,等等。


文革之后,有些其他事物借用这一词汇,如某某菜肴的“三突出”特色,等等。



参考文献




  1. ^ 张宪军,赵毅. 简明中外文论辞典. 四川巴蜀书社有限公司. 2015.06: 193. ISBN 978-7-5531-0373-0.  请检查|date=中的日期值 (帮助)


  2. ^ 学习"三突出"创作原则 不断提高创作质量 互联网档案馆的存檔,存档日期2006-06-28.


  3. ^ 尹鸿,凌燕著. 百年中国电影史 1900-2000. 长沙:岳麓书社;长沙:湖南美术出版社. 2014.05: 170. ISBN 978-7-80761-877-5.  请检查|date=中的日期值 (帮助)



参见



  • 抗日神剧


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